5/27/2020 Coklat Stroberi Full Movie
This experiment has based on a movie that tells about seeking for true-self in teenager and life choice determination of two best friends live in rent house in Jakarta. Their daily is going to college while working at the same time. This movie tried to describe story line of a social phenomenon exist as life reality occurs within the society, and full with morale messages particularly for teenager about free sex and other disorder behavior that will create negative impacts such as homosexual behavior. From practical side, it?s a life representation of homosexual behavior in Coklat Stroberi the movie by Ardy Octaviand. In this case, it is necessary to test and revealed the homo style reality within Coklat Stroberi.Based on the background above, the problems existing are what kind of homo style behavior symbol in Coklat Stroberi the movie and the frequent use of homo style in Coklat Stroberi the movie. The objective of this experiment is to found out about each symbol of homo style behavior in Coklat Stroberi the movie and to found out about how frequent it is the show up of homo style in Coklat Stroberi the movie.This experiment is one of the descriptive qualitative experiments. Method use for this experiment is content analysis.
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Content analysis design is purposefully made to produce objective calculation and manifest content of messages. Thus, content analysis in this experiment is one of the analysis methods to analyze denotatively marking/sign order. The range is Coklat Stroberi the movie. Measures used for this experiment is to view and observe the movie directly and also to divide several scenes that have the homo style behavior such as speaking style, gesture and fashion style.
Analysis unit to be used is scene contain homo style element.Result shows that total amount of scene in Coklat Stroberi the movie is 71 scenes and the amount of scene containing homo style element in Coklat Stroberi the movie is 66 scenes. While the appearance of homo style in the movie for speaking style category for 21 times (31.8%), gesture category for 31 times (47.0%) and fashion style, make up, accessories also usable miscellaneous for 14 times (21.2). Basically, homo style appearance has stresses on gesture and speaking style. Gesture and speaking style are assumed as indication of homo style. Homosexual tend to feminine style and as a matter of fact usually more?woman?
Lesbi in the metropolis: Fatal attraction in an Indonesian movie from the early 1990s 1 Article January 2011 with 65 Reads How we measure 'reads'.
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Than the normal woman.This experiment is far from perfect. So, the researcher could recommend several things for improvement. For the next experiment it is necessary to possess insight knowledge about content analysis because content analysis is consider objective methodologically and theoretically in order to increase the knowledge on media study, particularly related to the movie and homo style. Besides, the use of content analysis in this experiment is not in details for revealing the elements of homo style within Coklat Stroberi the movie and it probably need other analysis method such as semiotics analysis, framing etc. For those who work with movie organizations, novice or advance player, it is recommend to pay attention toward the movie quality. When it is aimed to represented several values in society life, research done in pre-production stage should really in depth and factual.
Therefore, the results would be acceptable for the society itself.Keyword: Homo Style; Film Coklat Stroberi; Analisis IsiLink terkait.
Coklat Stroberi (Chocolate Strawberry) is a 2007 Indonesian teen drama comedy directed by Ardy Octaviand and written by Upi Avianto.
Synopsis[edit]
The film tells the story of two young female university students, Key and Citra, who share a house in a plush Jakarta suburb. Due to difficulties in paying their rent, their landlady forces two new male tenants on them, Nesta and Aldi. Key and Citra, despite their beauty, are for some unexplained reason very unlucky in love and fear that they will end up as spinsters. They immediately fall for their handsome housemates. Unbeknown to them, the two young men are actually lovers, though various visual clues ensure that the audience is let in on the secret. While Nesta has a very masculine and straight-acting look, Aldi is feminine and moody. Nesta explains to Aldi – and to the audience – the theory of chocolate strawberry. Basically, strawberry equates to feminine and gay, and so in order not to be found out it is important to act chocolate – that is, to act masculine and straight. As well as more innocent ways of showing that one is straight, such as doing weight training, spending hours on the PlayStation, and not cooking, Nesta decides it would be a good ploy to start flirting with and eventually dating Key. Aldi becomes increasingly jealous as he sees his love of the last two years devoting far too much attention to Key.
Meanwhile, Citra starts flirting with Aldi, although he notices none of her various manoeuvres. Aldi decides he will lie no longer, and when his parents come to dinner, he comes out to them. His father has an asthma attack, such is his shock and disgust, and his mother leaves with his father, urging Aldi to revert to how he used to be. Things further come to a head when Citra and Key walk in on the two men as they are kissing. But instead of admitting it was all a deception, Nesta states that he really is in love with Key. Nesta has turned truly chocolate (or straight). Key initially rejects Nesta for lying to her, but returns to him after having run through the Jakarta night to stop him before he leaves forever. So it seems we have the conclusion: Nesta is turned straight by the charms of the pretty Key; Citra is still alone due to her distrust of men; Aldi is also to spend his life alone as a sad but out homosexual. However, in the final scene, as is demanded by romantic comedies, everyone is provided with a partner: Citra wins the attention of a cool rocker at a pop concert, and then Aldi appears hand in hand with Citra’s boss, Dani. Incidentally, the punk-looking Dani is played by Fauzi Baadila, one of Indonesia’s most in-demand young actors, someone generally associated with far more macho roles.[1]
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